Renzo Piano
renzo piano building workshop Piano, (born September 14, 1937, Genoa, Italy), Italian designer best understood for his high-tech public areas, particularly his style (with Richard Rogers) for the Centre Georges Pompidou in Paris.
Born into a household of contractors, Piano finished from the Polytechnic in Milan in 1964. Their high-tech design for the Centre Georges Pompidou (1971-- 77) in Paris, made to look like an "city machine," right away got the attention of the international architectural community. Colourful air ducts and elevators positioned on the structure's exoskeleton created a vibrant visual impression, and the structure's playfulness challenged staid, institutional ideas of what a museum must be.
Piano's interest in innovation and modern services to architectural issues appeared in all his styles, although he increasingly took greater account of the structure's context. His style for the Menil Collection museum (1982-- 86; with Richard Fitzgerald) in Houston, Texas, used ferroconcrete leaves in the roofing, which functioned as both a heat source and a form of security against ultraviolet light. At the exact same time, the building's low scale and constant veranda are in keeping with the primarily residential structures close by. His other essential commissions include San Nicola Soccer Stadium (1987-- 90) in Bari, Italy; the Kansai International Airport Terminal (1988-- 94) in Ōsaka, Japan; the Auditorium Parco della Musica (1994-- 2002) in Rome; and the Beyeler Foundation Museum (1992-- 97) in Basel, Switzerland. One of his most-celebrated 21st-century tasks, significant for its green architecture, was a brand-new structure for the California Academy of Sciences (finished 2008) in San Francisco's Golden Gate Park.
Piano likewise worked on city revitalization strategies, including the conversion of an enormous historic Fiat factory (1983-- 2003) in Turin, Italy, into the city's trade fair and convention centre district. This attention to context likewise influenced his acclaimed museum addition-- the Modern Wing of the Art Institute of Chicago (1999-- 2009), which he designed to respond to the strategies of the surrounding Millennium Park, with its band shell by Frank Gehry and massive sculptures by Anish Kapoor (Cloud Gate, 2004) and Jaume Plensa (The Crown Fountain, 2004). Piano's style for the Shard (2000-- 12), formerly referred to as London Bridge Tower, was offered its nickname-- which eventually became its official name-- due to the fact that of its dramatically tapered glass exterior. The mixed-use structure rose 310 metres (1,017 feet) above street level, making it the tallest building in western Europe upon its conclusion. Towering above the historical skyline of London, it was slammed by some for not conforming to the scale of the remainder of the city.
Piano has actually gotten many awards and prizes, including the Japan Art Association's Praemium Imperiale prize for architecture (1995 ), the Pritzker Architecture Prize (1998 ), and the American Institute of Architects Gold Medal (2008 ).
Their modern style for the Centre Georges Pompidou (1971-- 77) in Paris, made to look like an "city device," instantly got the attention of the global architectural neighborhood. Piano's interest in innovation and contemporary options to architectural problems was evident in all his designs, although he significantly took higher account of the structure's context. Piano's design for the Shard (2000-- 12), formerly known as London Bridge Tower, was offered its label-- which eventually became its official name-- due to the fact that of its dramatically tapered glass exterior.
